I have been asked a few times about the woods that I use to make the spindolyns. Why I don’t use exotic woods, why I limit my production to certain woods. I do so, because I know that to some extent (as much as can be said, in this ruthless world that we live in) that these particular species can be harvested sustainably, that they are fairly common and resilient species, and that their harvest provides income for many people in the South Eastern US, parts of the Northwest and Canada. I can’t know this personally about imported woods, so I stick with what I know.
Wood for me is an emotional thing (it is, another form of
fiber, after all) So follows is a dissertation on why I use what I
use, with more personal info than you probably want to know
wood, and I love trees. So much so that the minor for my degree in
Natural Resources from the University of Michigan is in Forestry. At one
time I was a park ranger, and then later in my life I was passionately
active in a lobbying the state Tennessee to adopt legislation to insure
best management practices in logging to protect future stands of timber
and stream quality in the state.(this effort failed, of course)
This coincided with a time in my life when I lived at a sawmill and it
was a giant conflict for me, to see big dead tree bodies come in on
trucks, and then to see fabulously beautiful walnut, oak or cherry come
off the mill or out of the kiln. I couldn’t wait to get ahold of some of
the scraps from the “real lumber” and run to the woodshop with it to
get started making something, a spindle, a lap loom, furniture for
pixies. Contrary-wise I also couldn’t stand to see the empty places on
the Upper Cumberland where the forests once stood. Life is about
I also knew plenty of loggers personally, and saw as the
small scale sustainable loggers where pushed out of business by the
large scale loggers using giant, immensely destructive logging
equipment. But then over the years, I have watched as trees filled back
in, slowly and stunted and certainly not majestically, and missing much
of the diversity of flora and fauna that the old ways of harvesting
preserved. But at least I can see regrowth, and at least I know the
enemy. I can’t say that about exotic lumbers or far off logging
The bases, mostly “ready fetched on” as Granny would
have said, are either maple, Canadian birch or fir. These are also
“somewhat sustainable” woods, grown in the US or Canada, and for the
spindles, I stick with the wood I know, cherry, oak, walnut and poplar,
wood grown in the forests I know.
I have added a new base (the Orbia) to the spindolyn lineup. I like the stability of the cubia base so much, that I added this one, with roundier corners, that let you tilt it easy for winding on.
Unlike the cubia, the tube sits in it straight upward, instead of at an angle…if you want the angle, you just tilt it..or not.
Also there is a new whorl model. I have named it the Melody, it is like the mezzo but just enough larger in diameter to give you more capacity and a wee bit slower spin, good for thicker yarns and plying.
And, ta da! I have finally opened my Etsy store, and have posted and sold some fancier spindolyns, out of cherry and walnut and oak..Etsy is fun I can’t wait to have some time to get some pixies up on Etsy, too.